Friday, July 16, 2010

[J441.Ebook] Free PDF Bosphorus the Ultimate Guide - Istanbul, by Pat Yale Saffet Emre Tonguc

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Bosphorus the Ultimate Guide - Istanbul, by Pat Yale Saffet Emre Tonguc

1057 illustrations. This book is among the most accurate and elaborative work about the Bosphorus. Alongside the exclusive, unseen photos from the most famous waterside mansions, it provides up-to-date information about the Bosphorus from one side to another. Asian and European sides being the two main chapters of the book, it takes you on a step by step Bosphorus tour that covers not only the touristic spots, but also the hidden treasures of the city only known by the locals. An excellent work devoted to the Bosphorus with the unforgettable stories of the historical buildings, the photos of the monuments bearing the glamour of the Bosphorus and the authentic, magical sight-seeing routes." The primary reason why Istanbul has been such an important city for thousands of years is its incomparable geographical location straddling the shores of Europe and Asia. Meandering through the middle is the Bosphorus, "which makes its stately way past nostalgic neighborhoods, ancient houses of worship, historic monuments, and magnificent yalis. Like the Istanbul it is a part of, the Bosphorus is perpetually changing. From the hotels to the restaurants, from the houses of worship to the palaces, and from the museums to the yaks, the area's make-up has gradually altered over the centuries. For this reason, we saw a need for a new and updated guidebook to highlight the changes and incorporate the latest information and photographs. While preparing this book, we had a tough time dealing with the yalıs. Most older books about the Bosphorus lack photographs of their interiors and we had to wait six months just to take pictures of one of them. Thanks to the help of friends and acquaintances we finally managed to come up with pictures of more than twenty yalıs or were given the opportunity to photograph them especially for this book."

  • Sales Rank: #4019429 in Books
  • Published on: 2012
  • Binding: Paperback
  • 348 pages

Most helpful customer reviews

1 of 1 people found the following review helpful.
Best Guide for Exploring the Bosphorus
By Don Greenberg
This book is a great resource for anyone going to Istanbul. A must for anyone living in this spectacular city.

Pat Yale and Safret Emre Tonguc give you what you need if you have only a few hours, and enough for a few weeks of exploring the Bosphorus.

Beautiful photographs, and they managed to get into of few of the famous yali (mansions on the Bosphorus) that are closed to the public.

Great capsule descriptions of the sites.

I only gave it 4 stars, but its a first edition and I know they'll improve it.

Some shortcomings with this edition:

* A lot of words are seemingly randomnly put in bold, you expect to see them in a map or in an index, but they are not explained anywhere else in the text.
* The guide sometimes assumes you are familiar with Istanbul neighborhood names, and where they are in relation to the Bosphorus. A real challenge for visitors.
* Sometimes not clear whether or not the site described is open to the public, or private
* IMPORTANT -- include a pull-out map with street names and the locations of at least the key sites. This would be a fair amount of work, but it would make the book twice as useful.
* Including the segments of the Bosphorus that make for good walking routes.
* The best way to cycle the Bosphorus (here's the spoiler -- start in Karakoy and go north to Sariyer. Take the ferry to Anadolu Kavagi, and cycle down to Uskudar (or Kadikody) and take the ferry back.
* A more complete overview of the ferry system would be helpful -- they cover the IDO company adequately, but there are a lot more options using the other companies that criss-cross the Bosphorus.

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Thursday, July 15, 2010

[P952.Ebook] Ebook Download Shadowrun Street GrimoireFrom Catalyst Game Labs

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Magic can burn your brain and sear your soul. It can inject power into every millimeter of your veins or leave you a lump of ashes at the end of a dark alley. Its dangerous but to spellslingers in the Sixth World its worth it. Because magic is power and power in the Sixth World needs to be grabbed with both hands. Spells rituals alchemical preparations adept powers metamagics-all of those elements and more can be used to help an Awakened shadowrunner move off the streets and get a taste of the high life. Street Grimoire has more options for Shadowrun players along with information on magical traditions magic societies and the dangers and benefits of living as a spellcaster in a world where geek the mage first is a common adage. With more options deeper rules deadlier threats and dozens of way to have fun with magic Street Grimoire is an essential book for anyone playing Shadowrun Fifth Edition.

  • Sales Rank: #895799 in Books
  • Brand: Catalyst Game Labs
  • Published on: 2014-08-27
  • Number of items: 1
  • Dimensions: 3.00 pounds
  • Binding: Hardcover

Most helpful customer reviews

6 of 6 people found the following review helpful.
This is a good source book for magical traditions and extra spells
By Monastic Gnome
This is a good source book for magical traditions and extra spells. Otherwise, it's pretty much a waste of paper. A lot of their descriptions of magic and spirits can be summed up as "I don't know what they're like" - basically hinting that they vary and change, so you should just decide for yourself.

1 of 1 people found the following review helpful.
Magic!
By Rain Nightmoon
A great source of magic material for your Shadowrun campaign. It is one of the few books I bring with me every week.

1 of 3 people found the following review helpful.
Ring Side Report- RPG Review of Street Grimoire
By Edward
Originally posted at www.throatpunchgames.com, a new idea everyday!

Product- Street Grimoire
System- Shadowrun 5e
Producer- Catalyst
Price- $25 here http://www.drivethrurpg.com/product/131832/Shadowrun-Street-Grimoire
TL; DR- Even with my favorite spell, a few problems hurt the book. 87%

Basics- There is a lot more magic than what you see on the trids, chummer. Street Grimoire is a large hardcover book covering magic in the Shadowrun 5e world. The book spends a long time discussing how magic works (or how it might work), the world and magic, different types of magic, and other canon pieces of Shadowrun before diving into adding hard, crunchy bits to the setting. It covers all types of magic from mages to adepts and everybody in between like spirits with each type of magic (spell casting, enchanting, summoning, et al) getting their own chapter.

Mechanics or Crunch- Overall, I like what's in Street Grimoire. The book adds a ton of spells even adding my favorite spell euphoria (which used to be called Orgasm) as well as adding a large variety of new spirit options, adept powers, and magic traditions. What makes me less than amazed is the lack of qualities and the types of spells. There are a few, but most can't be PC qualities. Also, as a magic Decker, I was kind of less amazed by the new adept powers. Some are awesome, but I felt the techno-mages kind of were left in the cold. The spells in the book are good, but nothing sticks out besides my special favorite to really make me take any at character generation. They are a little to specific and that kind of keeps me away when I only get 10 spells to start. What's in the book is good, but I'd like a bit more. 4.25/5

Theme or Fluff- Here is where the Shadowrun books always shine. The book is written as a conversation on the Shadowrunner BBS as a character writes a long post, and all the other Shadowrunners tare into the poster with comments. It's well done and entertaining. I just read a 200+ page anthropology book about a world that doesn't exist, but I wasn't bored and was pretty enthralled. Good job! 5/5

Execution-While the theme is really helped by the addition of the Shadowrunner BBS conversation, some of the important parts of the book get mixed into the conversation. Sometimes concessions for organization are made to keep the BBS format going. Those concessions can hurt the understanding of the reader. One example is the chapter on magic groups as several examples discussed, but after all the groups are mentioned the book adds a page about group organization. That would be excellent information, but the section wasn't front loaded in a way I could follow, so I was reading about something else, then a small, in-text section describes how the groups are organized. So, I was a bit lost. That happed a few other places as well. You can find your way, but it does distract from the flow of the book. 3.75/5

Summary- Overall, this is a good book. I'm a relatively new convert to Shadowrun, so the world story side of the book is really helpful. However, this book isn't the home run I would have hoped for. Mechanically, I want more. As a starting wizard, the book doesn't have a ton of spells you'll want to pick up and use. The spells here are great, but you'll more than likely stick to the spells out of the base book. And that's kind of a running theme for the mechanics throughout this book. Good stuff, but nothing that will make you build a starter character based on. UNLESS YOU COULD SHANTE THE WORLD SEXIEST TROLL! Just because the book brings back my favorite fourth edition spells as euphoria, it gets a higher grade simply for that. But, this book also suffers from a serious problem with organization. Sure the book "works" as I can read it fine, but as a reader, I felt lost a few times. That hurts the overall presentation. This is a good book, but it needs some work to really make this the slam dunk it could be. 87%

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Saturday, July 10, 2010

[K770.Ebook] Download Ebook The Shores We Call Home: The Art of Carol Evans, by Carol Evans

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The Shores We Call Home: The Art of Carol Evans, by Carol Evans

The mystical shores of coastal British Columbia hold boundless inspiration and an enigmatic spiritual presence for many who live along its various coves and inlets. For almost three decades, Carol Evans has been practicing and refining her art,creating stunning portrayals of the beautiful and rugged shores of Vancouver Island and the coastal mainland. Her intensity of colour and attention to the subtleties of light are trademarks of her increasingly popular watercolour paintings.

The Shores We Call Home contains over eighty of Evans' works, collected here in gorgeous full-colour reproductions that faithfully represent the startlingly vivid visions of the original watercolours, capturing the unique character of BC's exquisite shoreline landscape--a place like nowhere else on earth.

  • Sales Rank: #1740957 in Books
  • Brand: Brand: Harbour
  • Published on: 2010-02-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .31" w x 10.00" l, .85 pounds
  • Binding: Paperback
  • 96 pages
Features
  • Used Book in Good Condition

About the Author
Carol Evans is a master watercolourist with her work achieving international acclaim as part of many group exhibitions and private collections worldwide. Her art has been published in two previous books of paintings: West Coast: Homeland of Mist, and Releasing the Light. She and her husband live on Salt Spring Island, British
Columbia.

Excerpt. � Reprinted by permission. All rights reserved.
I find book forewords confusing, don't you? I get them mixed up with prefaces. Difference is, a preface is written by the author of the book; a foreword is written by a friend or admirer of the author--ideally, somebody revered and influential, like say, Nelson Mandela or the Dalai Lama.

Then there's the spelling. I keep thinking it should be spelled "forward" but it's not--it's "foreword."

Some books go forward without a foreword and maybe this one should have too, because Nelson Mandela or the Dalai Lama I ain't. I'm a newspaper scribbler and a retired radio show host. On the other hand,I am definitely a friend and unquestionably an admirer of Carol Evans and her work--as is pretty well anyone who ever had the pleasure of encountering either. And I can't do much harm, because Carol Evans really doesn't need anybody's words to attract eyeballs to her splendid labours.

Seems like divine overkill, but Carol Evans is actually as beautiful in person as she is on canvas. She's an abidingly kind and gentle soul who punctuates her conversation with bawdy guffaws. She paints like an angel and laughs like Diamond Tooth Gertie. Ms. Evans is a West Coast girl, born and bred, and her art is pure West Coast, all mist and
sunshine, mountain scarp and tideline. She captures children frolicking in the surf as unerringly as she renders Haida elders with hard centuries etched in their faces. Eagles in flight and otters at play; a frog splayed out on a lily pad like a court jester in camouflage. An impossibly fragile rose; a fish boat doggedly ploughing a shimmering sea.

And oh, the water. Ye Gods, can the woman capture water. The glint and the glare of it; the lambent reflections and refractions of its flickering depths and shallows. Her brushes dance across the canvas, trailing water's near-inexhaustible palette of colours, from flinty, unforgiving obsidian through blues and browns and ochres to the softest, yielding greens. It's fitting that the medium she's chosen is watercolour, for she colours the waters with astonishing clarity and a magical perfection that can make your heart do backflips. But she doesn't think of it as "doing water." She calls it "releasing the light."

I asked Howard White, publisher of this book and a lifetime lover of all things West Coast, what he sees in a Carol Evans painting. "They open your eyes in a way that photographs can't," he says, "and in a way other paintings don't either. Usually, artists 'strip away' when they paint a canvas. Somehow Carol manages to include more rather than less. I'm doing the book because I love her paintings. When someone's work makes the hairs on your neck stand on end, I think she should be published."

Amen to that. The hairs on your neck are ready for this--are you?
Turn the page.
Release the light.

Arthur Black, 2009

Most helpful customer reviews

2 of 2 people found the following review helpful.
A souvenir encapsulating a little bit of the coast's inspirational magic
By Midwest Book Review
The Shores We Call Home: The Art of Carol Evans is an inexpensive, softcover artbook featuring over eighty of Carol Evans' sweeping artworks reproduced in full color. These landscapes portray the shores of coastal British Columbia in all its beauty and majesty, from ocean scenes to coastlines, waterfalls, and even a moving portrait of a young girl feeding swans. A joy to page through, The Shores We Call Home is particularly recommended for armchair travelers, or anyone who has visited British Columbia's shorelines and desires a souvenir encapsulating a little bit of the coast's inspirational magic.

2 of 2 people found the following review helpful.
Incredible
By carol chadwick
Carol Evans is an incredible watercolor artist, with her specialty being the shorelines, trees, but mostly the water scenes in the Northwest area of Canada. She captures the transparency of the water, and its ripples and reflections perhaps better than any watercolor painter I have had the privilege to view. This book is a treasure.

0 of 0 people found the following review helpful.
Wonderful skilled artist with loads of decent size plates of her paintings--this is the best of her books, so far...
By Tried n True
Wonderful book, loaded with many generous size prints of her artwork. Some of her better/best work is in this book--lots and lots of pictures of her work--most important in an art book--accompanied with personal stories of subject areas and her craft narratives. Some of the best artists are not discovered and I believe her time to explode into the Master class is near. I have two other of her books--they didn't have the more experienced quality of work as in this book. It's not a thick book, about a 1/4" thick but you spent a lot of time looking at every print trying to figure out her she painted that and this so the thin book does go a long way. Every artist has an enhanced skill in certain areas--hers is definitely water. I hope she does a video on her painting skills.

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Thursday, July 8, 2010

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RxPrep Course Book: A Comprehensive Course for the NAPLEX and Clinical Content for the CPJE (2016 Edition), by Karen Shapiro PharmD BCPS,

The 2016 RxPrep Course Book is matched to each item in the updated NAPLEX competency statements and is complete for all topics tested. Updated to reflect the newest drugs and latest guidelines, the RxPrep Course Book is the preferred study guide for students preparing for the NAPLEX and/or the CPJE (the CA exam clinical sections which overlap with NAPLEX), and includes essential background sections (Exam Overview, Sterile and Non-Sterile Compounding, Drug Interactions, Patient Charts, Assessment & Healthcare Provider Communication, Drug Mechanisms, Classes & Structures) and other required foundation material to help build your knowledge base. The calculations section has been expanded, with case-based (exam style) formats, with answers explained step-by-step. Includes exam-style practice cases for many of the major topics. The Course Book is part of the complete online course for those that require a full preparation. Test each chapter with the test bank assessment. Both are available at www.rxprep.com.

  • Sales Rank: #17217 in Books
  • Published on: 2016
  • Binding: Paperback
  • 1104 pages

Most helpful customer reviews

11 of 11 people found the following review helpful.
Watch out for the typos!!
By Amazon Customer
I question the accuracy of this whole book after looking at the top 300 drugs. For example, they have the following:
Ergocalciferol = Hyzaar
Amitriptyline = catapres
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Codeine/promethazine = armour thyriod
And many more bad typos like those! I wonder which ones I'm memorizing wrong that I don't realize. I paid so much for this book and I had no clue I was paying for so many typos. So frustrating! The calculations chapter is very helpful. It would be nice if they could send the corrections that need to be made. Most chapters are a good review.

11 of 13 people found the following review helpful.
A lot of typos but good source for naplex review than kaplan
By Amazon Customer
A lot of typos but good source for naplex review than kaplan. Ordered a new condition from rxprep for $168 but arrived in a dusty condition with front cover folded. Disappointed for the condition of the book.

7 of 8 people found the following review helpful.
wish the editor would spend some time to edit the ...
By Kevin N.
wish the editor would spend some time to edit the book. Plenty of errors. Top 200 drug list in the back.... wow. Pharm students must double check!

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Monday, June 28, 2010

[B242.Ebook] Ebook Free Old Testament Word Studies: An English Hebrew and Chaldee Lexicon and Concordance, by William Wilson

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Old Testament Word Studies: An English Hebrew and Chaldee Lexicon and Concordance, by William Wilson

Book by Wilson, William

  • Sales Rank: #2287857 in Books
  • Brand: Brand: Kregel Publications
  • Published on: 1978
  • Number of items: 1
  • Binding: Hardcover
  • 566 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

0 of 0 people found the following review helpful.
Intersting
By pmccarthy
It was in great condition, interesting to read but I don't hold stock in translations other than my KJV; but it was okay

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Sunday, June 20, 2010

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The Fall of Paris: June 1940, by Herbert R. Lottman

A dramatic chronicle of the fall of one of the world's great cities covers the five weeks leading up to the German capture of Paris in 1940. By the author of The Left Bank. National ad/promo.

  • Sales Rank: #2042395 in Books
  • Published on: 1992-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x 6.50" w x 1.30" l,
  • Binding: Hardcover
  • 430 pages

From Publishers Weekly
The biographer of Flaubert, Colette, Petain and Camus here delivers an engrossing narrative account of one of the most traumatizing events of WW II. With a sharp eye for irony and incongruity, Lottman depicts the darkening of the City of Light during a notably lovely springtime as the German army approached and as rumors ran rampant--for instance, that German agents disguised as beggars, blind men, nuns and wounded French soldiers had infiltrated the city. The chronicle is rich in emotion and incident, with Lottman, Publishers Weekly 's European correspondent, relating the somber story largely as experienced by men and women who were there: then-colonel Charles de Gaulle, who commanded one of the few French units that stood and fought; high-school teacher Simone de Beauvoir, fretting over the fate of her soldier-lover Jean-Paul Sartre, on the Maginot Line; U.S. ambassador William Bullitt, rambunctious and self-dramatizing but also very courageous; and many other individuals, French and foreign, as they reacted to the national and personal crisis. Illustrated.
Copyright 1992 Reed Business Information, Inc.

From Library Journal
On June 14, 1940, the German army entered an intact Paris and flew the swastika from the Arc de Triomphe. The French government had quietly departed, declaring the capital an open city. Lottman ( Flaubert: A Biography , LJ 2/1/89; Colette: A Life , LJ 11/1/90) gives us a day-by-day chronicle of events great and small from May 9, when blitzkrieg succeeded the "phony war," to the beginning of the occupation. His account is almost entirely from a Parisian perspective, disclosed through vivid but fragmentary accounts provided by dozens of public and private individuals who wrote diaries, gave interviews, or left other records. This method results in a sense of immediacy but makes for the disjointed narrative one would expect from cinematic short takes or a collage. The cumulative effect has considerable force, however. Recommended for academic and public libraries.
- R. James Tobin, Univ. of Wisconsin-Milwaukee Lib.
Copyright 1992 Reed Business Information, Inc.

Most helpful customer reviews

7 of 8 people found the following review helpful.
Complete and Well Written History of Paris, May-June 1940
By John P. Rooney
"The Fall of Paris, June 1940", by Herbert R. Lottman, sub-titled, "A Dramatic Narrative of the Final Weeks in Paris Before Its Capture by the German Army". HarperCollins, 1992.
This is a lengthy, (410 pages), well written book, describing the last five weeks or so of Paris as a free city before occupation by the German Army. The author, Herbert Lottman, a Native New Yorker, has written on other French subjects, including Marshall Petain, Albert Camus and Flaubert so Lottman is well prepared for this book. Each day from May 9, 1940 to June 23, 1940 is covered in a single chapter. The author did exhaustive research for each chapter. The book is exceedingly complete. After some reading, the reader can be so overwhelmed by the wealth of information that Lottman provides, that the temptation is to sneak ahead to the June 14th Chapter. June 14, 1940, is the day that German troops actually entered Paris.
Lottman brings to life the main actors in the French government, including Premier Paul Reynaud, his ever-interfering mistress, the old general Philippe Petain, and newly promoted general, Charles De Gaulle. By referencing their writings, the author also tells the tales of famous people, such as Jena-Paul Sarte, the philosopher, Maurice Chevalier, the actor, and many different journalists, including William Shirer and Clare Booth Luce. He does not, however, limit the personal reminiscences to the rich and famous, but includes recollections of the common people, including the French sergeant ordered to blow up the Eiffel Tower. Interestingly, one of the more memorable individuals in the book is the American Ambassador to France, William C. Bullitt, a friend of President Franklin Roosevelt. I wonder if H. Lottman chose some of the statements and actions of Ambassador Bullitt to provide a form of comic relief for the serious subject in this serious book.
Even in such a scholarly work, errors creep in. On page 341, he writes, "There were policemen here and their along their way." Clearly, too many possesive "theirs" are present. He wanted, "There were policemen here and there along their way". On page 394, in describing the visit of Adolf Hitler to a conquered Paris, Lottman terms Hitler, "Reichsfuehrer". Hitler was just simply "Der Fuehrer" and it was Heinrich Himmler (1900-1945) who had the title of "Reichsfuehrer". Overall, though, the book is well written and complete to the point of exhaustion.

3 of 3 people found the following review helpful.
Very Enlightening
By R. Ashley
Incredibly thorough, well researched, and nicely written. Contains countless stories about individuals who lived through these events. This book contains more personal accounts than battle details, which was refreshing. However, it was a tad too sparce on covering the battlefront, which made it sometimes seem disconnected from the big picture. A worthy read for anyone interested in the subject. Bravo!

2 of 4 people found the following review helpful.
The Fall of Herbert Lottman
By Donald P. Reed
The Fall of Paris, June 1940, Herbert Lottman [1927-2014]; HarperCollinsPublishers (1992 hardcover)

Post Note (02/15/16): Throw this thing in the garbage &, as soon as possible, get your hands on journalist Elliot Paul's classic, "The Last Time I Saw Paris" (Random House 1942).

*****

"The essence of good history is well-directed research that knows what to do & [what to] leave out, & also [written] extraordinarily well - & it involves people in their books."

--- An unidentified historian, paying a compliment to historian Martin Gilbert at the Politics & Prose Bookstore (WDC, 10/16/05; aired on CPAN3 on 01/27/08).

After finishing "The Fall of Paris," initially, I was going to quote the above as the reason why --- Lottman having failed on all counts save his extensive research --- two stars would be a more than generous appraisal. Nothing else. End of review.

Then… as the margin notes were assembled, came the gradual realization that I had finished reading one of the worst histories ever written.

The writing: Paceless, tedious & verbose. Sometimes it's necessary to slog through the first 100 pages until an author finds his “voice”; only then does the book become reading. With this in mind, on or about page 254 of "The Fall" is where you might start.

A) Despite this supposedly being a serious history, footnotes are missing. Also:

The “sources” at the end of the book do not provide "The Fall’s" page numbers that should correspond to the pages of the sources. If you want to check a source, you might have to read an entire book listed as that source.

(What is listed: The names of the authors, book titles, where published, publishers, & years of publication. Hypothetical example: “Andr� Lemoine, Adieu, Paris: Gallimard, 1972.”)

B) There is no separate, alphabetized bibliography of sources (books, magazines, newspapers, archive files of unpublished materials, personal interviews, etc.).

Was Andr� Lemoine’s “Adieu” used as a source? Start checking, on page 405. Persevere, if necessary, for the next eighteen pages.

C) “Index” issues (overlapping with "L, Unclear references, clumsy introductions,” see below) arose with these individuals & their entities:

Clare Booth Luce (American journalist, later congresswoman, & since 1935, wife of publisher Henry Luce); Alfred Duff Cooper (English prime minister Winston Churchill’s minister of information in 1940 & later, British ambassador to France, 1944-48);

Hans Thilo Schmidt (German civilian; traitor); a “General Schmidt” (brother of Hans); General Rudolf Schmidt (name found in the index & yet, not mentioned on the page provided; possibly but not necessarily the same person as “General Schmidt”);

“Rex” (French �migr� from Germany, aka, “Stallman,” first name unknown & “Rodolphe Lemoine”; French spymaster “handler” of H.T. Schmidt); Paris-Soir (Parisian newspaper); & Belleville, a residential section of Paris.

D) The book’s wonderful map of Paris - executed perfectly with symmetry & grace - lacks a compass. This is necessary for readers to instantly see what the main routes were for the thousands of war refugees fleeing Belgium & Northern France flowing into & out of the French capital in 1940.

Other features of a book that should have NEVER been published:

E) Amateurish expositions; bad writing; cheap shots; factually dubious, contradictory or incorrect assertions; & illogical chronology:

- Cheap Shots: In the tragic context of a national (& international) catastrophe, was it necessary for Lottman to cattily remark that French PM Paul Reynaud looked like “Mickey Mouse”? (p. 10);

- Factually Dubious: King “Leopold’s [Belgium’s] surrender had been an act unprecedented in history” (p. 134; overlaps into “Wrong Words,” see "L," below), with “unprecedented” being employed to describe circumstances that common sense tells us were merely quite unusual);

- Factually Incorrect: “In the end, all of the [British, French, & Belgian] troops [initially stranded on the beaches of Dunkirk] got out of the trap [by naval evacuation]. Not a single soldier remained at Dunkirk to fall into German hands” (p. 170).

PN (03/21/12 Mercury/Mars Rx): From Quentin Reynolds "The Wounded Don't Cry" (1941) - "A lot of us think that England won the war at Dunkirk. She lost about 35,000 men. She should have lost 350,000 men" (p. 105). Unable to get on the boats (for whatever reason), some of those 35,000 soldiers must have been trapped at Dunkirk & taken prisoner.

F) “Gibberish”: “On February 26, after dark, enemy reconnaissance plans flew over the Paris region… that [same] night there were sirens – but no planes” (p. 6).

The German planes were UFOs. They might still be up there.

G) “Fop Speak”:

- Lottman’s constant narrative interruptions, “of course,” indeed,” “certainly” --- used after the point has already been made/is obvious.

H) Inane remarks; inept, confusing, ridiculous analogies & comparisons; incorrect or tortured verb tenses (with one dual qualifier, see "J, Not English”); incompetent usage of the word “but” (seriously!); & missing reflexive pronouns & run-on or incomplete sentences.

My favorite was “... surrounded on three sides” (p. 252).

I) The Quit While You're Ahead" rule, ignored:

“YOU ARE BITTER, DEFEATED… YOU SEE EVERYTHING IN BLACK! The remedy was Carter’s Little Liver Pills” (p. 186) – read a stock newspaper advertisement, with text left unchanged after May 10, 1940 & with Paris by June 4th reeling from the impending German attack on the French capital.

Untoppable. Stop. Not Lottman, who blathered on with an incomprehensible comment about another advertisement appearing on the same day.

J) “Not English” (with one dual qualifier, see "H, Incorrect or tortured verb tenses”); serial comma typing & other punctuation errors:

“The three officers held their pistols in outstretched arms, ready to expend their twenty-four bullets, but targets lacked” (p. 335. S/be, “but enemy soldiers did not appear.”).

K) Verbosity: Many margin notes to that effect; overall, it's obvious that the editor of "The Fall" had rounded up the usual perfunctory motions.

L) Unclear references, clumsy introductions & the inept introduction of full, formal names; words/phrases misplaced in sentences; & “Wrong Words.”

“Wrong Words”: Bonus, comically employed!

“An editorialist in the same [French newspaper,] ‘Le Figaro’… was aware of the frightful exodus [of civilian refugees & soldiers from defeated French divisions] from the north, resulting in traffic bottlenecks prejudicial to the military” (p. 123).

"Prejudicial" traffic jams. That's a hot one.

*****

The anecdote for “The Fall of Paris - June 1940”?

When you're done with Elliot Paul's "The Last Time I Saw Paris," next, read “Is Paris Burning?,” a superb history of the retaking of the city by Allied military forces in August 1944 (Larry Collins & Dominique Lapierre, co-authors, Simon & Schuster, 1965).

Post Note: The previous version of this review (amended on February 15, 2016) stated that Lottman had been a history professor at Harvard. This statement was incorrect & has been withdrawn, with my apology extended to those who may have read it & hence were misled.

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Saturday, June 19, 2010

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Le Nouveau Sans Frontieres, Level 2 (French Edition), by Philippe Dominique, Jacky Girardet, Michele Verdelhan-Bourgade, Michel Verdelhan



Le Nouveau Sans Frontieres, Level 2 (French Edition), by Philippe Dominique, Jacky Girardet, Michele Verdelhan-Bourgade, Michel Verdelhan

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Le Nouveau Sans Frontieres, Level 2 (French Edition), by Philippe Dominique, Jacky Girardet, Michele Verdelhan-Bourgade, Michel Verdelhan

Ce niveau 2 de la collection est � commencer apr�s 120 / 150 heures de fran�ais environ. Organis� en 4 unit�s de 5 le�ons chacune, il propose des romans-photos vivants et amusants � partir desquels seront �tudi�s les points de grammaire, le vocabulaire, les actes de parole. De tr�s nombreuses activit�s d'emploi et de r�emploi sont propos�es tout au long du volume. Tout en poursuivant les acquisitions lexicales, grammaticales et communicatives, il comport une r�vision syst�matique des connaissances et des savoir-faire de base. L'ouvrage assure l'apprentissage de la langue, avec ses nombreux exercices oraux, d'�coute et de syst�matisation; l'apprentissage de la communication, avec ses nombreuses activit�s de prise de parole; l'apprentissage de la civilisation, avec ses nombreux documents, illustrations et photos.

  • Sales Rank: #2170949 in Books
  • Brand: Brand: Cle International
  • Published on: 2006-05-30
  • Original language: French
  • Number of items: 1
  • Dimensions: 10.70" h x .40" w x 7.40" l, 1.10 pounds
  • Binding: Paperback
  • 222 pages
Features
  • Used Book in Good Condition

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Le Nouveau Sans Frontieres, Level 2 (French Edition), by Philippe Dominique, Jacky Girardet, Michele Verdelhan-Bourgade, Michel Verdelhan PDF
Le Nouveau Sans Frontieres, Level 2 (French Edition), by Philippe Dominique, Jacky Girardet, Michele Verdelhan-Bourgade, Michel Verdelhan PDF