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After obtaining access to long sought-after archival material about the final years of Robert Schumann, Lise Deschamps Ostwald, the author’s widow, is finally able to detail the composer’s last years at the mental institution in Endenich, fulfilling her husband’s original intent.
- Sales Rank: #1645646 in Books
- Published on: 2010-07-08
- Original language: English
- Number of items: 1
- Dimensions: 8.92" h x .94" w x 6.08" l, 1.30 pounds
- Binding: Paperback
- 440 pages
Review
“Schumann is a remarkable piece of work.Soberly and objectively, it unearths information that no previous Schumann researcher—in English at least—has come near duplicating.”—Harold C. Schonberg, The New York Times
“Peter Ostwald, a San Francisco psychiatrist who is also a trained musician, has dug deeply . . . and applied his professional knowledge to the fashioning of a fascinating, perceptive psychobiography of the nineteenth-century Romantic master.” —Arthur Hepner, Boston Globe
“Ostwald . . . offers new insights into one about whom the musical world has never ceased wondering.”—Robert Commanday, San Francisco Chronicle
About the Author
PETER OSTWALD, M.D. (1928–1996), was a professor of psychiatry at the University of California, San Francisco, a musician, and an author of numerous books. His widow, LISE DESCHAMPS OSTWALD, is a concert pianist and was his long-time assistant.
Most helpful customer reviews
19 of 20 people found the following review helpful.
Mind, music, and emotion.
By Victoria Berdon
Ostwald has written a careful and insightful biography. Not only are effects of mental illness in musical creativity explored, but there are a number of interesting philosophical issues raised about mind and it's functioning. The subjective experience of creativity, musical or otherwise, is impossible to communicate fully, but Ostwald does a remarkable job. Ostwald's thoughts on musical expression and meanings therein are original, and not extensions of Suzanne Langer's (or other philosophers') interpretation. That Ostwald himself is a pianist as well as psychiatrist allows an intimate understanding of musical cognition, and this in conjuntion with his psychiatric training makes for an unusual analysis. This is not light reading,but definitely in range of an interested reader. It is thought-provoking and facinating. I highly recommend it.
11 of 12 people found the following review helpful.
Music, meaning and madness
By Ronan M Conroy
Ostwald isn't a normal biographer. He is concerned with more than the 'facts'. His focus is on the complex relationship between Schumann's music, his life, his mental state and his relationship with Clara. But to this end he has done a major service to our understanding of Schumann by going well beyond the published sources. Ostwald has translated hitherto unpublished diaries and correspondence that reveal a Schumann who is considerably more complex than he appears in biographies up to this.
Certainly, Ostwald's interest in the psychiatric elements of Schumann's life results in a certain amount of terminology, but this is not jargon; there is a chapter which reviews Schumann's illnesses using current American diagnostic guildelines, so this is hardly psychobabble!
Ostwald is also a tireless advocate of the less-well-known Schumann, for which he also deserves credit.
And finally, the chapter on Schumann's final illness is haunting and chilling. He died a much more wretched death than we supposed.
Strongly recommended.
8 of 8 people found the following review helpful.
Insightful and Realistic
By Pamela Blevins
The late Peter Ostwald's biography is still the most insightful, intelligent and accurate account of Schumann's life and his illness. Dr. Ostwald undertook a very careful study of all the factual material available and drew the most realistic, sensible and compelling conclusions about Schumann's life. Schumann, like other composers, was long regarded as schizophrenic while some writers are still recycling the old notion that he suffered from syphilis and that it was the cause of his mental decline. Schumann was, as Ostwald rightly claims, bipolar. The signs of his illness were in place long before he might have contracted syphilis and even that possibility is in doubt. Ostwald brought Schumann scholarship into the 20th century and debunked a lot of misconceptions about the composer, his illness and his relationships. Highly recommended.
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