Ebook Flash from the Bowery: Classic American Tattoos, 1900-1950, by Cliff White
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Between these pages are images of the original acetate rubbings from Charlie Wagner's turn of the 20th century tattoo shop, The Black Eye Barbershop, in the Bowery at Chatham Square in New York. This is the only known art that has survived from this shop, where Samuel J. O'Reilley's modern-day electric tattoo machine was born and patented. The imagery of this classic flash preserves the origins of American tattoos, when tattoo art was transferred to the client from these templates via an acetate stencil. Everything was done by hand until O'Reilley's electrified tattoo machine changed history. This rich heritage of folk art has more than 900 individual pieces of flash that provide commentary on the shop's clientele and reveal some of the social, economic, and political ideas of the time. Including nautical themes, Asian imagery, flowers, boxers, circus characters, and plenty of girls, this is an exciting collection of early American flash and a necessary book for the tattoo artist, aficionado, and student.
- Sales Rank: #509531 in Books
- Published on: 2011-11-28
- Original language: English
- Number of items: 1
- Dimensions: 9.02" h x 2.36" w x 11.73" l, .0 pounds
- Binding: Hardcover
- 400 pages
About the Author
Cliff R. White opened his first tattoo shop, Cliff's Tattoo, in Centereach, New York, in August of 1989. He has been researching and collecting tattoo memorabilia and history for almost 30 years.
Most helpful customer reviews
4 of 4 people found the following review helpful.
Great Book!
By Tattoo Lover
I found this book incredibly action packed with never before seen "classic" designs. This book is jammed packed with history unlike any other book that has come before it. Mr. White is incredibly knowledgeable in the history of tattooing and at around $100.00 this book is a STEAL! It's 400 pages in a hardcover edition with it's own hardcover case. Worth every penny and then some you will spend on it!
2 of 2 people found the following review helpful.
Great Book of Antique Tattoo Designs
By B. Wolinsky
Today’s historians study tattoo art with great fascination, and it’s only become an intellectual curiosity in the past 20 years. Why not until that point, I don’t know, but I do remember that by the late 90’s there was greater interest in it. Perhaps there’s something fascinating about the kind of artwork that one would have permanently drawn on himself? Tattoos were worn mostly by sailors, and the designs were usually the same, but the question is why.
Flash From The Bowery is a book of original tattoo stencils from the Black Eye Barbershop on the Bowery and Chatham Square, the same tattoo parlor where the electric tattoo gun was invented. It was on The Bowery where you’d find all the tattoo parlors, the same street where Norman Rockwell got the idea for his painting of the tattooist inking out the sailor’s ex-girlfriends. It was a sleazy block, full of bars, flophouses, and what would eventually become CBGB’s. The designs in this book were the “archive” of Black Eye’s resident artist, and when he died in the 1950’s, an employee saved what he could of their supplies. The designs ended up in the hands of Cliff White, a modern day tattooist. But the designs themselves date back much earlier. In those days you couldn’t go to a Barnes & Noble bookstore and buy a full-color coffee table book of tattoos. The artists would trace or photograph the existing tattoos of their customers, and in exchange give them a discount on a new one.
The only problem is the history of the actual designs. I would love to know the origins of the flowers, skulls, dice, scantily clad women. By Cliff White’s account, most of the customers were sailors (hence the large number of ship tattoos) or circus employees. If there were foreign sailors getting tattoos done at Black Eye’s, then I wonder if the American, British, and European designs were markedly different. I saw a photo of some French criminals who were detained at Ellis Island in the 1900’s, and they had tattoos of women, boxers, snakes, the usual art. I’m going to guess that the cards & dice motif might indicate willingness to take risk, while the half-naked women were reminders of home. If you’re at sea for a few months, and there’ no women on board, perhaps the tattoo satisfies your erotic needs? The skulls could be descended from the memento mori (“remember, one day you will die”) of classical artwork, evoking a reminder of mortality. Paintings with this motto in mind usually placed a flower next to the skull, symbolizing life & death. Perhaps that explains why flowers were so popular in tattooing? Racism is also evident by the tattoos showing stabbed Chinese heads. Though the author assumes this was from the “Yellow Peril,” I believe it is from the US Navy campaign in China in the 1920’s (seen in the film The Sand Pebbles.)
You can include tattoos in the study of US history, and there’s plenty in there to compare the changes in American habits. Back in the 1950’s, tattoos were the kind of thing the wearer kept hidden, but nowadays they’re commonplace. It used to be considered low-class for women to have tattoos, but now I see “respectable” women with all kinds of ink-Japanese koi, scarabs, boyfriends’ names, even old fashioned sailor tattoos (in better quality than the originals.) Perhaps it has a lot to do with women’s rights? I can just imagine a high school student in the 1960’s showing up to school with a visible shoulder tattoo, the principal would’ve thrown a fit. Now, the principal can’t do anything about it. For teenagers, a tattoo has become a symbol that (at least in their own opinion) they’re all grown up.
1 of 1 people found the following review helpful.
Priceless
By Luke M. Meade
This book contains an astonishing number of authentic traditional tattoo designs. If you are a traditional tattooer, a tattoo historian, or a folk art enthusiast, this book is worth its weight in gold. Each page is thoughtfully laid out and the designs are boldly and skillfully outlined in black, unlike in "Sailor Jerry's Tattoo Stencils," where the designs are direct photocopies of original acetate stencils. The subject matter is understandably limited here- just about every design can be classified as a ship, an anchor, a woman, a flag, a dragon, a snake, or a rose; but within those subjects there is incredible variety and artistry. The paper quality could be better- the pages are a bit like children's construction paper, but this is more than compensated for by the book's size, and the sheer quality and quantity of the artwork it contains.
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